Welcome to the HIS 4933 Special Topics: Heresy, Witchcraft & Popular Violence Research Guide. In this guide, you will find library and online resources to help you with your research and course assignments. Scroll below to see the most used resources for getting started on your research. Click on the side navigation tabs on the left to see more in-depth and comprehensive resources.
Thou shalt not suffer a witch to live. (Exodus 22:18)
The course will consider the process of cultural conflict and eventual accommodation between Late Medieval and Early Modern European elite’s and the general populace. This class will explore the Medieval Heretical movements as a prelude to the “culture wars” within Early Modern Europe before we examine the suppression of witchcraft and carnival, agents of apparent chaos & demonic forces, as a means to re-define, strengthen, and ensure the orderly rule of Secular and Spiritual elites. It will seek to illuminate the struggle over ideological and socio-cultural beliefs for a more orderly society that have helped shape the modern world and were forcefully imposed upon peoples across the globe, in addition to the commoners of Europe.
Witchcraft at Salem Village, 1876, etching. The central figure in this 1876 illustration of the courtroom is usually identified as Mary Walcott.
The tragedy of the Salem Witch Trials extended beyond the people who were executed. Added to the list of victims should be Sarah Good’s nursing infant, who died while Good was incarcerated; Roger Toothaker, who was murdered in prison; Lydia Dustin, who was found innocent but never released and died in prison in 1693; and many others, including slaves who suffered not only from bondage but also from witchcraft accusation. A number of reasons have been offered to explain this tragic period in colonial history: Generational, racial, and sexual hostility, opposition to law, social stresses, and food poisoning all have been advanced as the causes of anxiety and hysteria in Salem during this time. However, the causes were complex and no single explanation is sufficient in itself. Whatever their causes, the Salem Witch Trials have taken on an iconic role in American history, and an unjust search for scapegoats is now commonly referred to as a “witch hunt.” Indeed, when Senator Joseph McCarthy conducted his search for Communists in the United States government and in Hollywood in the 1950s, playwright Arthur Miller responded by writing The Crucible (pr., pb. 1953), a play about the Salem witchcraft trials.
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